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South Africa hears the drumbeat

This article was originally published in the May 2008 edition of Drum Corps World (Volume 37, Number 2).

South Africa is on another continent from most of corpsdom, yet conducts ceremonies of cherished traditions. Herman Mashaba is the chairman of the Field Band Foundation. In a country that seeks to reduce apartheid, AIDS, poverty and more, performing arts is employed as a powerful tool, just as television hostess Oprah Winfrey’s school for girls has helped.

Lessons that would apply to other circuits globally should be studied. Here are excerpts from Mashaba’s 2007 annual report and U.S. Chairman Scott Morgan’s American summary. With British spellings and referrals to “bands”, these units march as drum corps using American-made bugles in the key of G. Their groups are called bands because the term is more universally known in that country and has been quite helpful in gaining financial grants from large corporations.

Mashaba stated, “It was hardly three years after the birth of our democracy that the [Field Band] Foundation was born as a vehicle to make a contribution to the reconstruction and development of our society through the cultural means targeting the youth. Since those humble beginnings in 1997, when the Foundation started with 600 youngsters in four provinces, we have experienced a phenomenal growth far surpassing our wildest expectations.

These major achievements are a confirmation that our mission is the correct mission, answering the needs of our target audience -- the SA youth.

“Significant progress has been made in the area of performances as evidenced by the outstanding displays by various bands at the National Championships to celebrate our 10th Anniversary [held last fall]. The production of the first CD of the

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How drum corps prepared us for careers in U.S. Military music groups
This article originally appeared in the May 2008 edition of Drum Corps World (Volume 37, Number 2).

For years I’ve contemplated writing a story about how drum corps provided the foundation for my career in the U.S. Army Band “Pershing’s Own.” Recently, I compiled statistics from my colleagues in the other special bands in the Metropolitan Washington, D.C., area.

I was overwhelmed with the stories I received. This article will share some of those stories for those of you who might wonder what you could actually do with all that drum corps experience after you age-out.

It was May 1979 when I stared in admiration as my older cousin marched around playing double tenors in preparation for Memorial Day. The next week I marched in those parades proudly crashing the cymbals that I had to polish the night before.

I spent nine years literally growing up in a little corps from Massachusetts called the Satellites in Leicester. Our “tour fee” was just 50 cents a week, nothing in comparison to what those of you who march today are expected to pay. But since my family ran it, it was a year-round activity for us.

If we weren’t practicing, marching in parades or competing, we were selling candy bars, holding tag-day sales or helping out with weekly bingo by selling donuts and coffee.

Our house became a hotel during the summer. Organizing who showered when and how much milk was needed for breakfast was not always easy. In order to get a hot shower, I woke up first, which led to taking inventory of the milk and cereal.

I marched snare with the Nashua, NH, Spartans and was timpanist of the Boston Crusaders where I learned to embrace difficult tuning on the timpani.

However, my early years were what gave me a  

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Part 1: New study builds demographic profile or World Class DCI corps
This article originally appeared in the May 2008 issue of Drum Corps World (Volume 37, Number 2).

While the creative staffs design the shows, it’s the performers who ultimately make Drum Corps International’s World Class corps the top marching musical units in the world. And thanks to recent market research efforts, DCI now has a better idea of just who are wearing the uniforms in its top corps.

Stephen Auditore, chair of its marketing advisory board, has been spearheading DCI’s market research efforts through his Dayton, OH-based marketing firm, Vaticinate. One of his studies analyzed online responses made last May by 1,116 of a possible 2,593 members (43 percent) from 21 of the 23 World Class corps (Mandarins and Pioneer did not participate). It found these trends among World Class members:

• They’re 19.47 years old, on average.
• 60 percent are in college.
• 59 percent anticipate studying music at college in some form (performance, education, business, etc.), with another eight percent planning to study other performance art forms.
• 79 percent are Caucasian.
• 73 percent carry GPAs of 3.1 or higher (on a 4.0 scale).
• 88 percent had prior high school marching band experience.
• 62 percent are in their first or second year in drum corps.
• They’re traveling nearly 800 miles (793) from home, on average, to perform with a corps.
• 49 percent are paying for the drum corps experience out of savings from work.
• They’re plugged into today's latest digital devices.

The new study is part of a broader effort this decade by the marketing advisory board -- which includes Auditore, DCI Marketing Quarterback Bob Jacobs, Executive Director Dan Acheson, Bluecoats Director David Glasgow and former Cavaliers Executive Director Jeff Fielder -- to provide research analysis of DCI’s three biggest markets: performers, fans and music educators. They’re using the research to refine their marketing approach and provide additional data on DCI’s impact to corporate sponsors.

“The root of why we choose the research that we do -- and have done - is because we spent a lot of time the past five years or so trying to improve the Drum Corps International marketing,” said Auditore, who became the first non-director elected to DCI’s Board of Directors in 1991, eventually serving two terms between 1991-1995 and 1998-2003.

“Up until the early 2000s, it [DCI’s marketing efforts] wasn’t very  

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'Chicago' Art Kurth, 1937-2000, one of drum corps' most dedicated, witty participants
This article originally appeared in the April 2008 edition of Drum Corps World, marking the newspaper/s 36th anniversary (Volume 37, Number 1).

He was one of those rare individuals who felt you should march drum corps every year, no matter what. Art Kurth had a drum and bugle corps career that spanned seven decades and he was planning to continue when the Eternal Drum Corps Hall of Fame called him on December 18, 2000 at the age of 63. He will always be remembered as one of the unequalled characters of the activity.

“Chicago Art”, as he was known, was totally dedicated to the idea of drum and bugle corps. He was a proponent of the art form and loved the concept and all that went into the activity. From working together on the field, to solving financial difficulties in a staff meeting, to the social aspect of it after rehearsal -- Art loved it all.

He was a kid off the streets of Chicago when he first joined the Ardennes Post 895 Belgium American Legion Post Drum and Bugle Corps in 1948. He was one of many kids who were taught how to play a horn in drum corps. But he never considered himself a musician. If you called him one, he would tell you, “I’m no musician, I’m a bugler!”

In an interview in 1998, he recalled how the Ardennes corps, which had been in existence for 40 years, changed its name in 1955. “We changed it to the Windy City Cadets just because we went out to the national competition and all the East Coast corps were Cadets,” said Art. “And we said, cool, that’s what you need to win, so we immediately changed the name.”
Did the corps win? “No, but we did take high horns at the Momence “Gladiola Festival” parade once,” Art joked.

The Cavaliers were starting to rise when Art joined them in the mid-’50s. The corps won championships in both 1957 and 1959. He was proud of his association and accomplishments with the Cavaliers. But he is best known for his interview as part of a 15-minute segment on “The Cavaliers, a 50-Year History”, regarding the corps’ fight against the St. Vincent’s Cadets in 1957 at Flamingo Park in Miami Beach. Here is an excerpt of some of the high points of this event, as only Art could tell it.

“The fight is going badly and we were all rolling around and punchin’ and thumpin’ and thuggin’, when this sea of red shirts come running across the field and it’s the Archer-Epler Musketeers, a senior corps. And I said, ‘Adults are coming to bring this thing to a reasonable conclusion’.

“Then the first guy hits me; they are kind of alumni of Vinnies  

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ScorpsBoard
 7/22/2008
 Wichita, KS (DCI)

World class
The Cadets, Allentown, PA 91.450
Glassmen, Toledo, OH 82.450
Crossmen, San Antonio, TX 80.800
Troopers, Casper, WY 76.700
The Academy, Tempe, AZ 76.550

Open class
Colt Cadets, Dubuque, IA 64.500

 7/22/2008
 Hattiesburg, MS (DCI)

World class
Blue Devils , Concord, CA 93.050
Carolina Crown, Ft. Mill, SC 90.400
Phantom Regiment, Rockford, IL 89.900
Spirit, Jacksonville, AL 80.050
Pacific Crest, Diamond Bar, CA 78.250
Mandarins, Sacramento, CA 75.450

Open class
Teal Sound, Jacksonville, FL 80.650
Memphis Sound, Memphis, TN 68.650

 7/21/2008
 Wichita Falls, TX (DCI)

World class
The Cadets, Allentown, PA 90.600
Santa Clara Vanguard, Santa Clara, CA 88.000
Glassmen, Toledo, OH 81.750
Madison Scouts, Madison, WI 78.050
Pioneer, Milwaukee, WI 69.100

Open class
Revolution, San Antonio, TX 74.450

 7/21/2008
 Broken Arrow, OK (DCI)

World class
The Cavaliers, Rosemont, IL 91.250
Blue Knights, Denver, CO 84.850
Blue Stars, La Crosse, WI 83.350
Colts, Dubuque, IA 80.200
Troopers, Casper, WY 77.100
The Academy, Tempe, AZ 72.800

Open class
Colt Cadets, Dubuque, IA 64.250

 7/21/2008
 Monroe, LA (DCI)

World class
Carolina Crown, Ft. Mill, SC 90.450
Phantom Regiment, Rockford, IL 90.300
Spirit, Jacksonville, AL 79.650
Pacific Crest, Diamond Bar, CA 77.650
Mandarins, Sacramento, CA 74.150

Open class
Teal Sound, Jacksonville, FL 80.350
Memphis Sound, Memphis, TN 67.500

 7/19/2008
 Barnsley, South Yorkshire, U.K (BYBA/Academy Marching Arts)

Division 1
Distant Thunder, Sharnbroke, Bedfordshire 64.560
6th Hove Scouts, Hove, Sussex 64.220

Associate division
Black Knights, Gravesend, Kent 66.390
Poynton Commodores, Stockport, Cheshire 65.440

Division 2
East Coast Elite, Cleesthorpes, Lincolnshire 71.720
Trinity School Show Band, Nottingham, Nottinghamshire 70.470
Phoenix Rising, Dublin, Ireland 68.610
Staffordshire Knights, Stafford, Staffordshire 68.500
Cheshire Cadets, Warrington, Cheshire 68.060
Pacemakers, Swanley, Kent 67.750
Upton Youth Band, Upton-upon-Severn, Worcestershire 66.780
Warwick Girls, Warwick, Warwickshire 63.860
Atherstone Youth Marching Band, Atherstone, Warwickshire 60.750

Division 3
Revolution Show Corps, Bradford, West Yorkshire 68.440
Lanesfield Boys/Girls Brigade, Bilston, West Midlands 64.390
Stafford Lancers, Stafford, Staffordshire 64.330
Halifax Boys/Girls Brigade, Halifax, West Yorkshire 62.720
Centurion Show Band, York, Yorkshire 60.890
Stafford Brigades, Stafford, Staffordshire 57.170
Tallaght Festival Band 56.720

Juniors
Spalding Boys/Girls Brigade, Spalding, Lincolnshire 60.110
Blazing Brass, Dartford, Kent 53.890

Cadets
Atherstone Cadets, Atherstone, Warwickshire 62.000
Black Knight Cadets, Gravesend, Kent 60.000
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